Monday, May 21, 2012

'Reflecting Fashion: Art and Fashion Since Modernism', MUMOK, Austria, 15 June 2012 / 20 September 2012

“Reflecting Fashion: Art and Fashion Since Modernism” Opening: June 14, 2012–7.00 p.m.
15 June 2012 / 20 September 2012
MUMOK (Museum der Moderne Stiftung Ludwig Wien) Austria

The exhibition will be opened parallel with the "Summer of Fashion" in the MuseumsQuartier.
The exhibition focuses on clothing and fashion as an essential component of art, where particularly since the mid-1960s they have played a major role in the work of such artists as Ellsworth Kelly, Cindy Sherman, Niki de Saint Phalle and Daniel Buren. Fashion has always played an important role in the semantics of modernism, with numerous traditions following Baudelaire in defining “modernité” through a concept of fashion - of what is “à la mode”.
During the early 20th century, fashion became part of the formal language of the avant-garde including such artists as Sonia Delaunay, the Futurists and the Surrealists. Celebrated theorists such as Walter Benjamin emphasized the power of fashion in connection with broader questions of art: “Fashion has a flair for the topical, no matter where it stirs in the thickets of long ago; it is a tiger's leap into the past.” Benjamin not only confers a revolutionary significance to fashion but also a certain primacy over art. Art in turn takes fashion “at its most perfect” and relies on its complex and paradoxical nature, where “perfection” can only be achieved through remaining imperfect, where permanence is sought in change and individuality made possible through imitation.
Fashion is artifice, clothing is everyday life. “Fashion,” according to Barbara Vinken, “is commentary expressed through clothing about clothing.”
The exhibition will explore the interplay between art and fashion from the beginning of modernism to the present.

Curator
Susanne Neuburger in collaboration with Barbara Rüdiger
Artists:
Vito Acconci / Fred Adlmüller / Pawel Althamer/ Jean Arp / Maja Bajevic / Giacomo Balla / Bauhaus / Herbert Bayer / Joseph Beuys / BLESS / Alighiero Boetti / Cosima von Bonin / Andre Breton / Kaucyila Brooke / Buch / Daniel Buren / Hussein Chalayan / Christo / Courreges-Guy Debord / DAMEN (I. Strobl, Ona B., E. Egerer, B. Jürgenssen) / Sonja Delaunay / Marcel Duchamp / Ines Doujak / "Dragos Olea Apparatus 22 / Madame D'Ora / Max Ernst / VALIE EXPORT / Alexandra Exter / "Fabrics Interseason Wally Salner / "Fabrics Interseason Johannes Schweiger" / "Factory of Found Clothes (Natalia Pershina)" / Marina Faust / Trude Fleischmann / Sylvie Fleury / Schwestern Flöge / Marcus Geiger / Isa Genzken / Rudi Gernreich - Ed Ruscha / Rudi Gernreich / George Grosz / Maria Hahnenkamp / Raoul Hausmann / Tibor Hajas / Rosa El Hazan -Milica Tomic / Kurt Husnik / Sanja Ivekovic / Jugenstilmantel / Birgit Jürgenssen / Allen Jones / Taddeusz Kantor / Ellsworth Kelly / Gustav Klimt / Jakob Lena Knebl / Milan Knizák / Daniel Knorr / Christoph Kohlhofer / Silvia Kolbowski / Grete Kolliner / Germaine Krull / Friedl Kubelka / Yayoi Kusama / Yayoi Kusama-Günter Uecker / Helmut Lang / Strauß Maria Likarz- / El Lissitzky / George Maciunas / Rene Magritte / Christopher Makos / Man Ray / Marie Claire Nr 148 / Lucia Moholy Regina Möller / Kolo Moser / Helmut Newton / Olaf Nicolai / Marzena Nowak / Meret Oppenheim / Ferhat Özgür / Mai-Thu Peret / Lil Picard / Pop Art / Liubov Popova / Stephen Prina / Florian Pumhösl / Pierre Restany / Felice Rix / Alexander Rodtschenko / James Rosenquist / Martha Rosler / August Sander / Hans Scheirl / Klaus Scherübel / Markus Schinwald / Elsa Schiaparelli & Salvador Dali / Kurt Seligman / Elfie Semotan / Martin Kippenberger - Elfie Semotan / Helmut Lang - Elfie Semotan / Cindy Sherman / Niki de St. Phalle / Oskar Schlemmer / Nedko Solakov / Alfred Stieglitz / Warwara Stepanowa / Ingeborg Strobl / Struppi (Gerhard Stecharnig) / Surrealistenausstellung / Sophie Arp Taeuber / Tanaka Atsuko / Vladimir Tatlin / Wolfgang Tillmans / Rosemarie Trockel / Unbekannt / Nadim Vardag / Andrea Van der Straeten / Sacrum Ver / Franz Erhard Walther / Andy Warhol / Karl-Heinz Weinberger / Franz West / Werkstätte Wiener / Valy Wieselthier / Steven Willats / Wols / Erwin Wurm / Andrea Zittel / Heimo Zobernig

Sunday, May 06, 2012

Flash Art International: May_June 2012

MAY JUNE 2012
Flash Art International 284 features two covers: Takashi Murakami and Jacob Kassay.
News Section:Lucy Rees introduces us to the inaugural exhibition and program of the Museum of Contemporary Art (MCA) in Sydney , on the occasion of its reopening in March, 2012. Lucy Rees extends her Australia overview to the Museum of Old and New Art (MONA), in Tasmania .
Flash Art International’s editorial team interviews White Cube Hong Kong’s director Graham Steele about the recent opening of the gallery’s Asian branch. Umberta Genta interviews Manifesta 9 curator and co-curators, discussing the theme of this edition, “The Deep of The Modern,” as well as the choice of location. Wendy Vogel provides an insight to the second New Museum’s Triennial, “The Ungovernables,” by analyzing the political and aesthetic orientation of the exhibition. Lucy Rees interviews Anne Barlow, curator of the BucharestBiennale 5, “Tactics for the Here and Now.” Adam O’Reilly talks to Garry Neill Kennedy about his latest book, The Last Art College , 1968-1978, which details the history of the legendary Nova Scotia College of Art and its influence on conceptual art.
Columns:
In the Gallerist’s Page, Donatien Grau interviews Seth Sieglaub about the beginning of his gallerist career in the ’60s and the evolution of his practice. In the Curator’s Space, Sam Bardaouil takes Iranian art of the Safavid Empire as a starting point to debate on the challenges and provocations offered by art throughout history. Flash Art International also features Asian Insider, a column on the Asian art market by Patricia Chen, who, in this issue, focuses on Hong Kong and Singapore.
Book Reviews:
Ver Sacrum: The Death of The Audience, by Nicola Trezzi; Trembling Bodies, by Lucy Rees; Francesca Woodman, by Umberta Genta.
Features:
Flash Art Editor at Large Gea Politi interviews Palais de Tokyo President, Jean de Loisy, on the occasion of the reopening of the Palais on April 2012.
Alexander Ferrando talks to Toronto-based collector Ydessa Hendeles about her “curatorial compositions” and theYdessa Hendeles Art Foundation.
On the occasion of his major exhibition “Murakami-Ego” at the Al Riwaq Exhibition Hall, Doha , Qatar , Japanese artist Takashi Murakami is interviewed by the exhibition curator and 2013 Venice Biennale artistic directorMassimiliano Gioni.
American artist Jacob Kassay is interviewed by Matthew Lyons about his background in Buffalo , his relationship to music and his exhibition at the Power Station in Dallas .
In a conversation moderated by Getty curator Glenn Phillips and Flash Art Los Angeles editor Patrick Steffen, Judy Chicago and Eleanor Antin talk about their arrival in California in the ’60s, the early days of Feminism, and Pacific Standard Time.
Los Angeles-based artist Tomory Dodge speaks to his fellow artist Brett Cody Rogers about his recent body of work, his childhood and abstract painting.
Kunsthalle Winterthur director Oliver Kielmayer presents a selection of works by Phil Collins, Adrian Paci, Ferhat Özgür, Irina Botea, Köken Ergun and Mircea Nicolae under the title “We are beautiful.”
Flash Art International May-June issue features the second iteration of its supplement Flash Art Asia:
Introducing the supplement is a Survey edited by Giancarlo Politi and Lucy Rees involving professionals based in the region.
In an essay written by Beijing-based art critic Edward Sanderson, Flash Art International introduces the practice of Chinese artist Liu Ding.
Iona Whittaker explores Chinese artist Liu Wei’s practice in an essay focused on the artist’s most recent works.
Lucy Rees talks to Indonesian artist Gede Mahendra Yasa about his work in relationship to the legacy of painting.
Israeli curator and filmmaker Joshua Simon and artist Ohad Meromi speak about Meromi’s notion sculptures and much more.
Using the term Hallyu as a starting point, editor II-Joo presents the modus operandi of Seven Korean artists: YeonDoo Jung, U-Ram Choe, YongBaek Lee , KiBong Rhee, Heung-Woo Shin, Lee Se-Hyun and Park Min Joon.
This issue Brand New section includes Jeremy Shaw by Klaus Biesenbach and George Henry Longly by Wendy Vogel, and the Spotlight exhibitions are “The Collectors show: Kimera. Asian contemporary art from private collections,” at the Singapore Art Museum, and Elad Lassry (Presence 2005) ” at the Hayworth Theatre, Los Angeles .
The review section includes:
Interiors, Birgit Brenner, Albert Oehlen, My Barbarian, Glenn Kaino, Gabriel Kuri, Toby Ziegler, Thomas Eggerer, Boris Mikhailov, Yayoi Kusama, Combine Reality: Eli Cortiñas and Katharina Jahnke, Monica Bonvicini, Philippe Mayaux, Lucio Fontana, Pierre Vadi, Dan Graham, Atelier Van Lieshout, Ai Weiwei, Ali Kazma, Aernout Mik, Karl Holmqvist, Kwan Sheung Chi, Apichatpong Weerasethakul, Pushpamala N.

Tuesday, May 01, 2012

'Reality Terror By Periferi Collective', 4 May 2012, Depo Istanbul

Reality Terror by Periferi Kolektif

4/31 May 2012 - İstanbul 

Exhibition Openings:
Depo: 4 May Friday 2012 - 18:30
Mars: 4 May Friday 
Asfalt Kadıköy: 9 May Wednesday - 18:00

Exhibition Closings:
Depo & Mars: 26 May 2012
Asfalt Kadıköy: 31 May 2012

Periferi Kolektif, scales up the discussion that it initiated with the exhibition Yıkım/Destruction 2011 with new events entitled Gerçeklik Terörü/Reality Terror. The international exhibitions coordinated by Rafet Arslan and Alper T. İnce will be held at the beginning of May in Depo, Mars and Asfalt Kadıköy respectively.

With the participation of the team who created Yıkım/Destruction 2011, one of the exhibitions which made a tremendous impression last year, and with participation of 65 artists including 17 from abroad, Gerçeklik Terörü/Reality Terror brings together artists and works from different disciplines again with an independent collective stance without patrons or sponsors.

Gerçeklik Terörü/Reality Terror aims to create a questioning, destructive, poetical language and aesthetics against arts and life in a world where the last traces of reality has been wiped off. Is an existence against the fake realities constructed by the intertwined relations of arts and the market, of media and censorship, of politics and pornography possible?

With its poetical and destructive praxis of contemporary arts, Gerçeklik Terörü/Reality Terror invites you to question your beliefs, to find the world odd - the world that we live in and that we take as real -, to open the doors of new realities, of new possibilities, of other worlds despite all their pessimism.

Triggering a new language, a new aesthetics and even a new evolution for the new consciousness/human, the politics of mutation!

http://gerceklikteroru.blogspot.com/

Coordinators Alper T. İnce & Rafet Arslan

Artists: Ahmet Doğu İpek, Ahmet Şık, Alfred Dong, Ali Mete Sancaktaroğlu/defter kazıyıcılar kooperatifi, Alper Kırklar, Alper T. İnce, AltKomşu, Armanc Yıldız, Ayşe Özkan, Azra Deniz Okyay, Bahadır Yıldız, Burçak Konukman, Bülent Demirağ, Cecile Wesolowski, cins, Clement Cogitore, Deniz Beşer, Deniz Pireci, Dilara Akay, Dilara Hançer, Dragos Badita, Dragos Platon, Eda Gecikmez, Elin Magnusson, Emine Çorduk, Emre Zeytinoğlu, Eric Bragg, Erol Eskici, Fahrettin Örenli, Ferhat Özgür, Fulya Çetin, Halil Vurucuoğlu, Hayali, Hüseyin Rüstemoğlu, Johanna Reich, Karahan Kadırman, Kazım Şimşek, Komet, Leyla Emadi, Leyla Gediz, Maria Sundby, Mario Asef, Mehmet Çeper, Murat Germen, Nalan Yırtmaç, Nazan Azeri, Necla Rüzgar, Neil Coombs, Nejat Satı, Neus Peres, Nur Koçak, OnstOn, Orhan Cem Çetin, Özgür Yaşaroğlu, Pınar Öğrenci, Rad, Rafet Arslan, Serkan Yüksel, Simona da Poza, Yaprak Gözeker, Yeşim Akdeniz, Yeşim Şahin, Yukiko Shimuzu, Wide, Zeynep Beler

Tütün Deposu Lüleci Hendek Caddesi No.12 Tophane 34425 İstanbul E depo@depoistanbul.net T +90 212 292 39 56 W www.depoistanbul.netGerçeklik Terörü/Periferi Kolektif

4/31 Mayıs 2012 - İstanbul 

Sergi Açılışları:
Depo: 4 Mayıs Cuma 2012 - 18:30
Mars: 4 Mayıs Cuma
Asfalt Kadıköy: 9 Mayıs Çarşamba - 18:00

Sergi Kapanışları:
Depo ve Mars: 26 Mayıs 2012
Asfalt Kadıköy: 31 Mayıs 2012

Periferi Kolektif; Yıkım/Destruction 2011 sergisinde açtığı tartışmayı Gerçeklik Terörü başlıklı yeni etkinliklerle büyütüyor. Rafet Arslan ve Alper T. İnce’nin koordine ettiği uluslararası katılımlı sergiler, Mayıs ayının başında Depo, Mars ve Asfalt Kadıköy’de açılıyor.

Geçtiğimiz yılın en çok ses getiren sergilerinden Yıkım/Destruction 2011’i oluşturan ekip; 17’si yurtdışından toplam 65 sanatçının katılımıyla; çok farklı disiplinlerden sanatçı ve yapıtları yine bağımsız, hamisiz, sponsorsuz kolektif bir duruş ile yan yana getiriyor.

Gerçeklik Terörü; gerçeğe dair son kalıntıların gündelik hayattan silindiği bir dünyada sanat ve hayata karşı sorgulayıcı, şiirsel ve yıkıcı bir dil ve estetik oluşturmayı amaçlamaktadır. Sanat ile piyasanın, medya ve sansürün, politika ve pornografinin iç içe geçip oluşturdukları sahte gerçekliklere karşı bir varoluş mümkün mü?

Gerçeklik terörü, güncel sanat pratiklerinin şiirsel yıkıcı üslubu ile sizleri inançlarınızı sorgulamaya, içinde yaşadığınız ve gerçek olarak varsaydığınız dünyayı yadırgatmaya ve tüm karamsarlığına rağmen yeni gerçekliklerin, yeni olasılıkların, başka dünyaların kapılarını aralamaya çağırıyor.

Yeni bilinç/insan için yeni bir dilin, estetiğin ve hatta evrimin tetiklenmesi, mutasyonun politikası!

http://gerceklikteroru.blogspot.com/

Koordinatörler: Alper T. İnce & Rafet Arslan

Sanatçılar: Ahmet Doğu İpek, Ahmet Şık, Alfred Dong, Ali Mete Sancaktaroğlu/defter kazıyıcılar kooperatifi, Alper Kırklar, Alper T. İnce, AltKomşu, Armanc Yıldız, Ayşe Özkan, Azra Deniz Okyay, Bahadır Yıldız, Burçak Konukman, Bülent Demirağ, Cecile Wesolowski, cins, Clement Cogitore, Deniz Beşer, Deniz Pireci, Dilara Akay, Dilara Hançer, Dragos Badita, Dragos Platon, Eda Gecikmez, Elin Magnusson, Emine Çorduk, Emre Zeytinoğlu, Eric Bragg, Erol Eskici, Fahrettin Örenli, Ferhat Özgür, Fulya Çetin, Halil Vurucuoğlu, Hayali, Hüseyin Rüstemoğlu, Johanna Reich, Karahan Kadırman, Kazım Şimşek, Komet, Leyla Emadi, Leyla Gediz, Maria Sundby, Mario Asef, Mehmet Çeper, Murat Germen, Nalan Yırtmaç, Nazan Azeri, Necla Rüzgar, Neil Coombs, Nejat Satı, Neus Peres, Nur Koçak, OnstOn, Orhan Cem Çetin, Özgür Yaşaroğlu, Pınar Öğrenci, Rad, Rafet Arslan, Serkan Yüksel, Simona da Poza, Yaprak Gözeker, Yeşim Akdeniz, Yeşim Şahin, Yukiko Shimuzu, Wide, Zeynep Beler

Monday, April 02, 2012

'Meslekler Kitabı Internette Yayında / The Book of Professions is On Line Now', 2012

The Book Of Professions is On Line / Turkish
Mesleklek Kitabı Türkçe olarak internette yayında.
Meslekler Kitabı // Book of Professions

Ahmet Öğüt
Mirjana Stojadinović
Güneş Savaş

'Specification for the Selection of CDA Projects: Young, Fresh, Different-2012'

Specification for the Selection of CDA-Projects'
"Young Fresh Different"Exhibition-2012

In order to support and encourage young artists, CDA-Projects has been
organizing the exhibition "Young Fresh Different" in June every year. The
application requests this year will be evaluated by the selection committee led
by Ferhat Özgür and comprised of Pelin Tan, Toni Stooss and Burçak Bingöl
representing the gallery. 500 TL artist fee will be granted for each work. The
selected works will be exhibited in June under the title "Young Fresh
Different - III" at the gallery, CDA-Projects, located in Mısır Apartments,
İstiklal Street, Istanbul.

Selection Rules

• The Contest is open to all media and all styles of art • The applicants
shall not be older than 35 years as of January 1st, 2012• Those who have
applied for and have been eligible to exhibit for the "Young Fresh Different -
II" in 2011 cannot enter the competition this year.

Presentation and Submission of the Works for the

Applicants

• The applicant shall submit a single work and shall present a portfolio of
at most five works along with this work.• The works shall
only be presented on compact disks (CDs) or digital video disks (DVDs).•
Images pertaining to the works, along with their identification tags, shall be
in JPEG Format (*.jpeg) and shall have a file size less than or equal to 5 MB
each.• A brief résumé and valid contact information (telephone, e-mail
address and address) for the applicant shall also be included in the same CD /
DVD.• Applicants can submit more than one CD or one DVD each.• The
applicant's name and the expression "CDA-Projects - Young Fresh Different 2012"
shall be printed (or written) on the submitted CDs / DVDs and on the envelope
within which these media shall be submitted.• The submitted CDs / DVDs will
not be returned to the applicants.• The deadline for submissions is March
31st, 2012. Applicants extending this date with postal delays or any other
excuses will be refused.• If the work selected for exhibition is out of
Turkey, the artist will pay for the transport of the work to the gallery.•
Address for Submissions is as follows:
Young Fresh Different - 2012CDA Projectsİstiklal
Caddesi Mısır Apt.No 163 K: 3 D: 10Beyoğlu İstanbul
34430TürkiyeAnnouncement of the Results
The selection committee will complete evaluations until April 16th, 2012 and
will announce the names of the artists whose works selected for the exhibition
in the following four days on the web page of the gallery
(http://www.cda-projects.com). The committee will also inform the other
applicants using the contact information submitted.It is hereby
assumed that applicants for the competition agree to all the conditions and
rules stated in this specification. The selected applicants will also sign a
special agreement with CDA-Projects peculiar to this exhibition.

The Selection Committee

Ferhat Özgür (Head of Committee)Working with different
mediums ranging from video, photography, installation to painting, Ferhat Özgür,
completed his MA and PhD studies in the Department of Painting of the Hacettepe
University, Faculty of Fine Arts, where he worked for nearly two decades until
he moved to Istanbul in 2010. Taking part in 6th Berlin Biennale, 10th İstanbul
Biennale, 3rd Örebro Biennale-Sweeden and 1st Tirana Biennale, the artist has
presented his works in numerous venues including Museum der Moderne / Salzburg,
Mattress Factory Art Museum / Pittsburgh, Centre George Pompidou / Paris, Reina
Sofia Museum / Madrid, Fondazione Sandretto / Turin, Kuntshalle Winterthur /
Switzerland, Magazin 4 Kunstverein / Bregenz, Casino Luxembourg Forum d'Art
Comtemporain / Luxembourg, Ludwig Forum-Aachen / Germany. His articles on art
and artists have been published in various publications in Turkey. He has also
curated some group exhibitions both in Turkey and abroad. He is currently
teaching and working in Istanbul Kültür University, Faculty of Arts and Design,
Department of Communication Designs - Multimedia.

Toni StoossToni Stooss, born in 1946 in Bern (CH),
studied Art History, Classic Archeology, and Journalism from Bern University,
1966; and Berlin University, 1970. In 1972, he started with an extensive
exhibition activity, as the curator for the New Community of Visual Arts,
Berlin. Until 1982 Toni Stooss has dedicated himself about the development and
planning of various art projects, he served as project manager for Visual Arts
and for directors and artists for film section of artist programs in German
Academic Exchange Service in Berlin, (DAAD). He developed many exhibitions in
Arts Academy, in New National Gallery, in New Berlin Art Society, in New DAAD
Gallery with artists in Berlin, as well as guest artists of DAAD.
From the spring of 1982 Toni Stooss has been active as the exhibition
director and conservator in Art House Zürich where he organized many exhibitions
and publications for Modern and Contemporary art (in cooperation with Harald
Szeemann). During this time Stooss has also been the consultant of Swiss Credit
Institute's art commissions, SKA (later called Credit Suisse) and he has been
the member of the Civic Art Purchase Commission in Zürich between 1990-91. In
1992 he has been chosen as the founding director of Vienna Art Gallery, which he
has been managing until the end of 1995 and there he organized numerous
monographic and thematic exhibitions for contemporary art.
He has been the director of Bern Art Museum from 1996 to 2001. Between 2002
and 2003 he worked as freelance art historian and curator. In February 2003 Toni
Stooss took over the artistic management of both Liner Foundation and Liner
Museum, Appenzell (CH) and Ziegelhütte Art Gallery. From the spring of 2004
until the end of 2005 he worked as the conservator and curator of the Liner
Foundation.Since the beginning of the year 2006,Toni Stooss has started to
work as the director of Museum of Modern Art Salzburg of Mönchsberg and
Rupertinum, where he organized many thematic exhibitions and publications of the
classical modern art, and as well as presentations of contemporary art (with
Swiss artists Alexander Hahn and Markus Raetz and classics; Paul Klee, Max Ernst
and Alberto Giacometti). As of 2012, Stooss plans to organize an exhibition of
Dieter Roth's self-portraits with the cooperation of Aargau Arthouse, Aarau.

Pelin Tan is involved in research-based artistic and
architectural projects that focus on urban conflict & territorial politics,
gift economy, the condition of labor and mixed methods in research. Trained in
Sociology, Tan completed her MA thesis 'Globalization and Contemporary Art after
1990' at Art History, Istanbul Technical University (2003) and PhD thesis on the
concept of 'locality' in socially engaged art practices at ITU (2010) that she
partly has preceded at Berlin Humboldt Univ. Art History Dept. (DAAD,
2006-2007). Tan worked on her Postdoc about the methodology of Artistic Research
with Ute Meta Bauer at Art, Culture and Technology - MIT /Cambridge. She
lectured at Art History- TU, MA in Architecture and Urban Studies (adbk –
Nürenberg), Art History - ITU (2011 - 2010). Currently, Assist.Prof. at New
Media Dept. KHAS, Istanbul.

She edited Güncel Sanatta Kamusal Alan Tartışmaları (Public Space Discussions
in Contemporary Art, İst. Bilgi Univ. Yay., 2007); with A.Çavdar Istanbul'un
Neoliberal Kentsel Dönüşümü (Neoliberal Urban Transformation of Istanbul, Hayy
Pub. 2012) and has publications including: Becoming Istanbul, An Encyclopedia
(2008); When Things Cast No Shadow (5th Berlin Biennale, 2008); Megastructure
Reloaded (2008); Contemporary Art In Turkey: 1986–2006 (2007) and With/Without
Spatial Politics In The Middle East (2007), Recht-auf-Stadt (2011). Editor of
Muhtelif (Istanbul); Advisory editor ArtMargin contemporary art magazine MIT and
NOON – Journal of Contemporary Art and Visual Culture of Gwangju Biennial
Foundation. Collaborative writer of Domus (Milan); Pipeline contemporary art
magazine (HongKong), Arch+ Istanbul Issue (2009).

Tan was a research/curatorial resident at IASPIS (Sweden), GeoAir (Georgia).
Guest curator at Witte de With / TENT for TRACER (2003 – 2004), and curated Knut
Asdam solo show at DEPO (Istanbul), Energy Room – an archive of public art, at
santralistanbul, Radical Aesthetics screening/discussion at DEPO with O.Ozengi,
Innocent Act, StudyoKAHEM - an architectural research at 10th Istanbul Biennial.
Tan is involved in research projects: "Institutions by Artists", Vancouver (with
Anton Vidokle, 2010-2012), "Precarious Labor in Contemporary Art", Istanbul
(with Önder Özengi, 2011-2013) and Artistic Research in Asia.

Burçak BingölShe graduated from BA, MA, and PhD programs
respectively in 2000, 2002, and 2008 from Faculty of Fine Arts, Hacettepe
University, Ankara, Turkey. Additionally, she graduated from Department of
Choir, Ankara State Conservatory where she studied between 1985-91; and a
program on Photography in The New School, New York in 2009. Throughout the PhD
program she worked as a research assistant in the Department of Ceramics. She
has been an Artist-in-Resident at Hunter College, NY for 8 months in 2006 and at
Cura Bodrum for a month in 2010. She's currently accepted to ISCP in New York to
work as an Artist-in Resident. She has made several talks and workshops on her
art in Turkey, New York, Argentina and Philadelphia. She curated 3 exhibitions:
'NEARFAR: The Reaction Interstice' at Ankara State Conservatory With the support
of Goethe Institute Ankara-2010; 'Existrong' at CDA-Projects-2011; and
'Erinnerungen an die Fremde' at Ankara-2011. She had 4 solo exhibitions titled:
'Syste-Matic' New York-2006; 'Attention! Fragile', Ankara-2008; 'Feeling The
Blanks' New York-2009; and 'Cabinet Of Curiosities' Istanbul-2011. Beside her
art projects, she currently works as an art director at CDA-Projects and works
as an instructor at Istanbul Technical University.

Wednesday, February 29, 2012

"Me & I:Self Portraits from the Collection"/ Museum der Moderne Salzburg: 1-3 / 1-7 - 2012

Me & I:Self Portraits from the Collection"

Museum der Moderne Salzburg

Mönchsberg, Ebene 3

curators: Christina Penetsdorfer and Veit Ziegelmaier

1.3. – 1.7. 2012

http://www.museumdermoderne.at/en/exhibitions/current/details/mdm/ich-ich/

In conjunction with the exhibition “Selves“ ofworks by Dieter Roth the Museum der Moderne Salzburg presents insights into the artist‘s selfportraits from the museum‘s own collection.

Reflective surfaces and the invention of photography have enabled people to see themselves. They allow a reflection in the truest sense of the word. Selfportraits have always had a strong appeal for artists, who use their pictorial language to depict themselves as persons or to reflect on their own selves. Selfportraits deal not only with the concept of similarity, but especially in contemporary art also with metaphorical I-statements, trying to get to the bottom of the artist‘s identity and feelings in a symbolic or abstract manner.


Some artists also reflect on their own self-positioning in life in their works. Self-observation is frequently linked to self-obsession or may even lead to self-infatuation or self-destruction. In many cases artists also try to define their own identity and position in the context of the long tradition of art history. In the course of the performative process artists can also distance themselves from their own personalities, as they become actors identifying themselves with the roles they assume.

Artists featured in the exhibition include Günter Brus, G.R.A.M., Jörg Immendorff, Friedl Kubelka, Elke Krystufek, Maria Lassnig, Arnulf Rainer, Erwin Wurm and new acquisitions by Gillian Wearing and Urs Lüthi.

ARTISTS:

Herbert Bayer/ Franz Bergmüller/ Rose Brueckl / Gregor Schmoll / Günter Brus / Katrina Daschner / VALIE EXPORT / Karl Anton Fleck / Johannes Grützke / Gottfried Helnwein / Florence Henri /Marcel Houf / Jörg Immendorff / G.R.A.M. / Jürgen Klauke / Elke Krystufek / Friedl Kubelka / Maria Lassnig / Paul Albert Leitner / Branko Lenart / Urs Lüthi / Karin Mack / Michaela Moscouw / Helmut Newton / Oswald Oberhuber / Ferhat Özgür / Florentina Pakosta / Peter Pongratz / Drago J. Prelog / Arnulf Rainer / Rixdorfer Werkstatt / Dieter Roth / Robert A. Schäfer / Egon Schiele / Walter Schmögner / Curt Stenvert / Gerold Tagwerker / Otmar Thormann / TOMAK / Kosta Tonev / Herwig Turk / Gillian Wearing / Erwin Wurm

VZ/CP 30.1.12

ferhat özgür, 'the will or ten commandments', 2009, video, exhibition view from
'I and Myself: Selfportraits from the Museum Collection'
Museum der Moderne, Salzburg, 1.03.2012






Friday, February 17, 2012

'Wearing Skirts: The staging of clothes in contemporary photography. Works from the collection of Museum der Moderne Salzburg': 18.02 /10.06.2012


ferhat özgür, 'metamorphosis chat', 2009,
video, exhibition view from 'wearing skirt: works from the museum collection', Museum der Moderne Salzburg, March 2012

ferhat özgür, 'metamorphosis chat', 2009,
video, exhibition view from 'wearing skirt: works from the museum collection',
Museum der Moderne Salzburg, March 2012
'Wearing Skirts: The staging of clothes in contemporary photography. Works from the collection of Museum der Moderne Salzburg'

stlerliste Röcke tragen – Ebene 2 Mönchsberg – 18.2. – 10.6.2012

curators: Katja Mittendorfer and Veit Ziegelmaier

Mönchsberg 32
5020 Salzburg
T +43.662.84 22 20-403
info@mdmsalzburg.at

Clothes convey different messages, far beyond their functional properties which protect the body against the elements and nakedness. Using contemporary artistic positions from our own collection, complemented by selected loans, the exhibition shows, how clothes - through fashion, traditions and conventions - are staged and understood in a formulaic way as a social, cultural and genderspecific system of symbols and signs and an individually sensed expression of personality. The title of the exhibition is a reference to the series of photographs Wearing Skirts by Andrea Lumplecker. Apart from clothes-specific questions about male and female identity, artists scrutinize and critically question the staging of clothes by the fashion industry whose aim is to advertise their products on the bodies of models as objects of desire and projection surfaces for the consumer‘s own attractiveness. As depicted by Peter Köllerer in his work series Architectures of Desire the coveted textiles are presented in the carefully decorated shop windows of boutiques and temples of consumerism as tempting consumer goods, according to the motto: Clothes make the man. This is contrasted with works by other artists who use discarded or found garments which show the individual traces or their owners and wearers despite industrial mass production. Sculptures by Erwin Wurm illustrate that clothes are only perceived as voluminous with the body of their wearer. Other aspects of clothes explored in the exhibition include culture-specific and historical garments, as all as the as all as the role of uniforms.

artists:

Uli Aigner / Irene Andessner / Iris Andraschek/ Diane Arbus / Peter Paul Atzwanger / Herbert Bayer / Arthur Benda / Lilian Birnbaum / Kaucyila Brooke/ Michaela Bruckmüller / Walter Ebenhofer/ VALIE EXPORT / Sissi Farassat / Rita Fabsits und Beatrix Fiala / Trude Fleischmann / Sylvie Fleury und Erwin Wurm / Masahisa Fukase / Bernhard Fuchs / Micha Payer und Martin Gabriel / Dorothee Golz/ Michaela Göltl / Maria Hahnenkamp / Alfred Haberpointner / Robert F. Hammerstiel / Takashi Hanabusa / Caroline Heider / Ilse Haider/ Matthias Herrmann / Marcel Houf / Franz Hubmann / Judith Huemer / Bishin Jumonji / Birgit Jürgenssen / Gudrun Kampl / Leo Kandl / Anselm Kiefer / Erika Kiffl / Rudolf Klaffenböck / Jürgen Klauke/ Iris Klein / Ronald Kodritsch / Jakob Lena Knebl / Peter Kogler / Peter Köllerer / Paul Kranzler / Elisabeth Kraus/ Friedl vom Gröller (=Friedl Kubelka)/ Hans Kupelwieser/ Sigrid Kurz / BrancoLenart / Andrea Lumplecker / AnjaManfredi / Emil Mayer / Elfriede Mejchar / Inge Morath / Eva Maria Ocherbauer / Madame d`Ora/ Ferhat Özgür / Lothar Rübelt/ Gerhard Rühm / Willy Puchner / / Eva Schlegel/ Johannes Schweiger/ Walter Seidl / Beat Streuli / Muntean- Rosenblum / Gabriele Rothemann/ ConstanzeSchweiger / Cindy Sherman / Walter Cora Pongracz / Borjana Ventzislavova/ Hans Weigand/ Hans Weiss/ Manfred Willmann/ Erwin Wurm / Robert Zahornicky


Thursday, February 02, 2012

'Arşiv V: Güven Güvensizlik / Archive V: Security-Insecurity': 17 January 2011 -29 February 2012: Şekerbank Açık Ekran

'Arşiv V / Archive V: Güven ve Güvensizlik / Security-Insecurity'
curator: ali akay
17 January 2011 -29 February 2012
Şekerbank Açık Ekran İstanbul

artists:
alban muja
ahmet ögüt
ferhat özgür

Şekerbank Açıkekran Yeni Medya Sanatları Galerisi, Arşiv serisinin yeni video seçkisi “Güven ve Güvensizlik” ile yeni yılda sanatseverlere merhaba dedi. Modern insanın adeta iç içe yaşadığı güven ve güvensizlik duygusunun işlendiği sergide sanatçılar, bu ikili gidişatı, sanatsal ve kültürel olarak irdeliyor. Küratörlüğünü Prof. Dr. Ali Akay’ın üstlendiği sergi, 17 Ocak - 29 Şubat tarihleri arasında görülebilecek. “Arşiv V: Güven ve Güvensizlik” kapsamında Açıkekran’ın Teşvikiye’deki galeri mekanıyla eş zamanlı olarak; İstanbul Feneryolu, Ankara Küçükesat ve Çankaya, Kırklareli-Alpullu, Ordu, İzmir ve Mardin olmak üzere Şekerbank’ın 6 ildeki şubesinde, Ferhat Özgür’ün İstabullu simitçileri konu aldığı “Marble Dance / Misket” adlı video enstalasyonu da izlenebilecek.

Sergide, Ahmet Öğüt’ün “Short Circuit-Kısa Devre” ve “Things We Count-Güvendiklerimiz”, Kosova-Priştina asıllı Alban Muja’nın “Palestina” ve Ferhat Özgür’ün “Upper Garden-Yukarı Bahçe” ile “Marble Dance- Misket” adlı video çalışmaları sergileniyor. Modernlikle gelen güven ve güvensizlik sarmalı 2009 Venedik Bienali’nde ülkemizi temsil eden sanatçılardan Ahmet Öğüt, sergide iki video eseri ile yer alıyor. Sanatçı, “Short Circuit-Kısa Devre (2006)” adlı videosunda, asfaltın toplumlarda ilerlemenin bir göstergesi olmakla birlikte, kazaları da beraberinde getirdiğine vurgu yapıyor. Sanatçı, “Things We Count-Güvendiklerimiz” adlı ikinci videosunda ise askeri uçakların imajlarıyla“savunma ve saldırı”, “ölüm ve kahramanlık” gibi duyguların birbirleriyle çelişkili hallerini hissettiriyor. İsmin yarattığı şaşırtıcı güvensizlik Kosova-Priştina asıllı sanatçı Alban Muja, “Palestina” adlı videosunda bir “hayranlık ve isim verme” öyküsü üzerinden isim ve imaj arasındaki kırılgan ve şaşırtıcı ilişkiye dikkat çekiyor.

Güven ve güvensizlik, kodlanmış bir beden konusu Ankaralı sanatçı ve akademisyen Ferhat Özgür, Malta Adası’nda çektiği “Upper Garden-Yukarı Bahçe” adlı video eserinde, güven ve güvensizliğin aynı zamanda kodlanmış bir beden konusu olduğunu, topçu birliğinin seremonisi üzerinden mercek altına alıyor. Acının güvensizliğine karşı, güvenin dansı Ferhat Özgür’ün 6 ildeki Şekerbank şubesinde görülebilecek video çalışması; “Marble Dance-Misket”, İstanbullu simitçilerin dünyasını ironik bir şekilde görselleştiriyor. Çalışma, suyun üzerinde mucizevi bir şekilde dans eden iki simitçinin hallerini, bir yandan bir komedi filmi sahnesi gibi işlerken, diğer yandan hayatın traji-komikliğine değiniyor.